Hi again, everybody! Here’s the second in my new series on non-standard claims/theories. Some of these blogs, including this present one, will deal with professional linguists (‘mavericks’ & worse) who adopt minority non-mainstream stances on specific issues – often (though not always) without explicitly acknowledging this, still less defending their views against the relevant current mainstream positions. Skeptics and others, not themselves trained in linguistics, who look at this material, especially if they seek to apply linguistic knowledge in other domains, need to be aware of such cases.
2 ROBERTA RIO
Readers may remember my earlier comments on the Phaistos Disk (1) and/or may know independently about this fascinating artefact.
In her two books (2), Roberta Rio advances yet another novel interpretation of the Disk. Rio has a mainstream academic background; principally, she studied undergraduate History and postgraduate Archiving, Palaeography (highly relevant) and Diplomatics (to PhD level) at the University of Trieste. However, like the similarly educated Susan B. Martinez (see earlier blog), Rio has shifted away from mainstream thought. She reports that her subsequent life experiences have ‘made aspects of existence less rational and much deeper known’ to her, and have shown her that ‘man [sic] … can go much further than the limits of rational understanding’. This approach to learning is precisely exemplified in these two books. The details are given mainly in the larger, earlier book, although even here there is no LINGUISTIC as opposed to epigraphic detail (see below).
As might be expected given her announcements as quoted above, Rio’s approach to decipherment is essentially intuitive; she simply proclaims her ‘findings’ without presenting rational evidence or argumentation. This means, of course, that (unless decisive counter-evidence appears) there can be no reasoned debate as to the likelihood of her being correct; her thesis is not a legitimately empirical one. She berates the mainstream archaeological and historical world as cognitively stagnant but offers nothing in its place beyond reliance upon subjective intuitions about items from long-extinct cultures (citing in her support the historian Johan Huizinga, who would surely have regarded her as taking his ideas to an unjustifiable extreme).
At least Rio is ‘upfront’ about her methods, unlike Martinez and other qualified but ‘maverick’ authors such as György Busztin, who simply ignore the established principles of the discipline without any explicit comment.
Without giving any actual evidence, Rio proclaims that the Disk was created on the island of Anafi in the Cyclades, not in Crete, and was later used in rituals in Crete (which she describes in detail) along with the circular, decorated Kernos Stone, which is now within the archaeological site at Malia; her discourse is ‘New Age’ in character. She does not seem to regard the Disk text as genuinely linguistic and does not identify any particular language as represented, still less any specific phonological words. (In this respect Rio’s decipherment resembles that of Jean-Louis Pagé in his 2002 book Atlantis’ Messages, where no language is identified on the Disk and no phonological forms are proposed.) Indeed, Rio seems to regard the characters on the Disk as ideograms (not members of a true script) expressing concepts (most scholarly analysts instead hold that the system probably is a true script, more specifically a syllabary), classifies them into sets (as referring to ‘energies’, ‘body parts’, etc.) and ascribes specific (language-neutral) meanings to them. She also offers an interpretation of the text into sentences, but the grammar of these sentences has inevitably been added by her and is not itself directly represented – as occurs in some interpretations of linguistic material allegedly emanating from extraterrestrials,.
Rio’s approach is unscientific and her proposals cannot be taken seriously.
More next time!
The Phaistos Disk is flat, made of baked clay, and sixteen centimetres in diameter; it was presented to the learned world in 1908 by French and Italian archaeologists excavating the Minoan palace complex at Phaistos in South-Central Crete (built about 1700 BCE). It is inscribed on each side with a text apparently running from right to left (anti-clockwise) and spiralling in from the rim to the centre (though some read it in other ways; Roberta Rio, as discussed here, reads it clockwise). There are some 240 character-tokens in all, representing 45 distinct types, some pictorial and some apparently abstract; they are divided into 61 groups by broken radial lines. Very remarkably given the early date, the signs were impressed into the clay when it was soft by means of a set of cut punches. Neither the Disk itself nor the characters resemble any other items yet discovered in the Aegean (including the undeciphered Linear A), and both the intended use of the artefact and the interpretation of the text remain mysterious. Many (mostly unqualified) authors have advanced and continue to advance ‘decipherments’ and ‘translations’ of the Disk, sometimes in non-linguistic terms (calendars etc.) but more usually finding novel writing systems – and often languages or locales favoured by themselves for extraneous reasons. None of these proposals presents an overall reading which has persuaded professional scholars; and naturally they all contradict each other. Others regard the Disk as a modern forgery.
New Light On Phaistos Disc
AuthorHouse, Bloomington, IN, 2011
Mysterious Ritual Enclosed In The Phaistos Disc And The Kernos Stone
AuthorHouse, Bloomington, IN, 2012